Weiss mm 1

Author: f | 2025-04-24

Did you see this last time? - Weiss MM-1, Weiss MM-1 plugin, buy Weiss MM-1, download Weiss MM-1. buy buyweissmm1 download downloadweissmm1trial WEISS Softube หัดใช้ทำความรู้จัก WEISS MM-1 ของดีที่ไว้ใจได้weiss mm-1 ปลั๊กอินที่ผมใช้ใน

Softube WEISS MM-1 Plugin – Weiss Engineering

Upgrade Note: This is an upgrade for customers who already own Weiss MM-1. The full version and the following upgrades are also available: Weiss Complete Collection Weiss Complete Collection (Upgrade from Weiss EQ1) Weiss Complete Collection (Upgrade from Weiss Compressor/Limiter) Weiss Complete Collection (Upgrade from Weiss Deess & MM-1) Weiss Complete Collection (Upgrade from Weiss DS1-MK3) Weiss Complete Collection (Upgrade from Weiss Gambit Series for Console 1) Weiss Complete Collection (Upgrade from Weiss Deess)Important Note: You will NOT be eligible for this upgrade if you purchased Weiss MM-1 as part of the Softube Volume Bundle.High-end Mastering, Scaled-Down Price Value: This choice collection of plug-ins gives you indispensable, high-end Weiss mastering at a fraction of the price when purchased separately​. Authenticity: The included plug-ins have been developed in close collaboration with, and are authorized by, Weiss Engineering and Daniel Weiss​. Options: A curated collection of six crucial plug-ins—DS1-MK3, MM-1, Compressor/Limiter, Deess, EQ1, and Gambit Series channel strip for Console 1​.Weiss. It’s the name in audio mastering. Synonymous with sound quality, the value of the Weiss Engineering suite of mastering tools is undeniable. But with premium instruments come premium price tags. This hand-picked bundle allows you to own the gold-standard in mastering gear for pennies on the list price.Take your work to a calibre heard, or rather unheard, on virtually every major record of the past two decades. Created in collaboration with Weiss Engineering, these exactingly modelled plug-ins bring unsurpassed mastering excellence into the DAW-based studio. Compression, limiting, de-essing, mix maximizing, equalizing; get all the essential mastering elements at an exceptional value.Softube & Weiss: Meeting of the MindsWeiss has been a pioneer in digital audio equipment design since 1979. That’s when Weiss founder, Daniel Weiss, joined Willi Studer AG in Switzerland as an engineer. In 1985, Weiss struck out on his own and founded Weiss Engineering with a focus on pioneering digital audio equipment for Mastering Studios. The result of that endeavour is now legend.Softube’s relationship with Weiss started in 2008 when they were first introduced to Daniel Weiss. Despite having so many guiding principles in common, it wasn’t until 2015 that Softube got serious about working together. Three years—and some blood, sweat, and tears—later, the Softube + Weiss DS1-MK3 plug-in was unveiled to great fanfare. And the tradition continues.Weiss EQ1A 1:1 Code Port of the Weiss EQ with No Equal A line-by-line code port boasting 1:1 accuracy of the pioneering original hardware, known as the standard of digital mastering EQs​. Increased functionality of the original algorithms, plus 32-bit / 192 kHz operation and updated ergonomics. Easy manual recall of Presets that sound and behave exactly like they do in the hardware​.The Original and Still the BestThe original Weiss EQ1 is the stick by which all digital mastering EQs are measured. EQ1 boasts seven identical parametric bands that cover the entire audio frequency range and have an incredible Q-parameter range of 0.2 to 650. Each EQ band has Boost/Cut, Frequency, and Q/Slope knobs and operate in any of the following modes: High-shelving, On pretty much any major record you’d care to mention from the last twenty years. And in that time updates and improvements by Weiss have led to the near-perfection of the DS1-MK3.And now for the first time ever, it is available as a plug-in from Softube, offering more flexibility than ever in a modern DAW environment, at a fraction of the cost.Features Officially licensed and endorsed by Daniel Weiss himself. Not an emulation, but a line-by-line code port of the original digital hardware. Exactly the same processor as the $10,000 original, at a fraction of the cost. Three processors in one; de-ess, compress, and limit, with the industry-standard tool. Processes at resolutions of up to 32 bit/192 kHz for exceptional sound quality. Advanced metering - waveform view. Featuring all-new presets from Bob Katz. Truly versatile de-essing. Choose your own filters, adjust frequency, and tailor the process to your needs working in stereo or mid-sides. Digital compressor can operate at speeds no analogue unit ever could and offers you total control. Two brand-new limiter algorithms included, as well as the Weiss original. Run multiple instances of this legendary unit on the same mix at no extra cost. Nothing sounds as clean, as transparent, as good. That’s why the hardware is in every major mastering studio in the world.Learn more about Weiss DS1-MK3.Weiss MM-1Loudness Done RightBased on the legendary Weiss DS1-MK3, the centrepiece of mastering studios the world over (and also now available as a Softube plug-in), the future of fast and professional mix maximizing is now here - the MM-1 Mastering Maximizer.Featuring the very same algorithms as the original digital hardware unit, the MM-1 offers five flavours of limiting; Transparent, Loud, Punch, Wide, and De-ess; intelligently progressing as the ‘amount’ knob turns, and blendable with the mix control, to give users precisely the right amount of power over the feel of their masters.Crucial to this plug-in is that it can’t sound bad - the intelligent processes happening under the hood as the amount knob turns; the filtering, compression, de-essing, and so on; have been carefully designed by highly experienced mastering engineers using the industry-standard DS1-MK3 as a foundation.And there’s no better mastering limiter out there. This product allows users to get their mixes exactly as loud as they want, with exactly the sound they want, without sacrificing dynamics and musicality.Features Simple interface controlling detailed expert mastering processes. Five ‘flavours’ of limiting available. Contains the very same technology as the legendary hardware mastering processor, the Weiss MM-1. Fully licensed and endorsed by Daniel Weiss himself. Great for maximizing your mix-bus quickly and effectively. Go as loud as you want; louder than any other product out there; without sacrificing desirable tone and dynamics. Impossible to get it wrong. Be the master of your own masters!Learn more about Weiss MM-1.Weiss Compressor/LimiterThe Modern & Transparent Mastering Compressor/LimiterThe mastering stage is the last chance to make or break a track, so getting it right can be the difference between a battle won or lost. That’s why

Softube Weiss MM-1 - Gearspace

Low-shelving, Peaking, High-cut, Low-cut, and Bypass. High auditory quality and functional design made the EQ1 a bestseller in 1996 and solidified its status as the top digital mastering EQ in the field going forward.Features A line-by-line code port of the original Weiss EQ1, the standard-bearer of digital mastering EQs and a must-have for mastering houses worldwide. A surgical Minimum Phase EQ, a true Linear Phase EQ, and a Dynamic EQ—all in one. 7 full-range bands with -39 to +18 db Cut/Boost range. Threshold, Attack, Release and Ratio parameters available on individual bands in Dynamic Advanced Mode. Operates in Minimum Phase, Linear Phase, Dynamic and Dynamic Advanced Modes. High and Low Cut, High and Low Shelving and Peaking Incredible Q-Range of 0.2 to 650 M/S Processing, Solo/bypass individual bands and Link Channels 4 user interface layouts Up to 192kHz sample rates and, with 64-Bit internal processing. Workflow and ergonomic advancements with four adaptable user interfaces. Created in collaboration with—and endorsed by—Weiss Engineering.Learn more about Weiss EQ1.Weiss Gambit Series For Console 1The Crystal-Clear Sound of Weiss for Console 1 A tidy channel strip based on 1:1 code ports of the original Weiss DS1-MK3 and EQ1 units​. Created in partnership with—and officially licensed by—Weiss Engineering​. With special features such as below-threshold compression​.It’s here. One of the most highly requested components for Console 1 makes its debut. Introducing the Weiss Gambit Series for Console 1. A painstaking extraction of the top features from two of the most admired digital processors, Weiss DS1-MK3 and Weiss EQ1—plus characteristic extras—the result is the clean, sharp channel strip engineers everywhere have been waiting for.Joining a storied slew of offerings in the successful partnership of Softube and Weiss Engineering, Weiss Gambit Series gives you the algorithms of the originals. But it also sports exclusive, high-end features such as below-threshold compression. Weiss Gambit Series channel strip for Console 1: created for mastering, now tailor-made for mixing.Features A tailor-made for mixing channel strip for Console 1. Improved functionality and features for the Console 1 workflow. A neat and clean channel strip based on 1:1 code ports of the Weiss DS1-MK3 and EQ1. High and Low-Cut filters from the Weiss EQ1. Gate, Expander and Below Threshold Compression in Shape section. 4 Band EQ from the Weiss EQ1. Compressor from the Weiss DS1-MK3. Limiter from the Weiss DS1-MK3 with added modes from the Weiss MM-1. Thoroughly unique below-threshold compression. Created in partnership with—and officially licensed by—Weiss Engineering.Learn more about Weiss Gambit Series For Console 1.Weiss DS1-MK3The Gold Standard in MasteringMastering compression, limiting, and de-essing without compromise. Every mastering engineer’s fondest dream is about to come true. Softube's plug-in is a line-by-line code port of the legendary Weiss DS1-MK3 mastering processor — the unit no serious mastering engineer can do without.Since its launch in the 1990s, the Weiss DS1 has become an absolute gold-standard unit, indispensable in mastering studios around the world despite a premium price tag. Its transparency, unparalleled versatility, and exceptional sound quality make it a must-have, heard (or rather not heard). Did you see this last time? - Weiss MM-1, Weiss MM-1 plugin, buy Weiss MM-1, download Weiss MM-1. buy buyweissmm1 download downloadweissmm1trial

Weiss MM-1 - Sawayaka Trip!

Will be happy to see this – Softube’s line by line code port of the legendary mastering processor, the Weiss DS1-MK3 VST plugin.This unit offers mastering compression, limiting, and de-essing at the highest level. And it even comes bundled with the Weiss MM-1 Mastering Maximizer, Weiss Deess, and Weiss Compressor / Limiter plugins.Heard on virtually every mainstream release you can name, the Weiss DS1-MK3 plugin is officially licensed and endorsed by Daniel Weiss. It’s the same processor as the $10,000 original, it offers de-ess, compression, and limiting, and it processes at resolutions up to 32bit / 192 kHz.It comes with advanced metering waveform view, all-new presets from Bob Katz, versatile de-essing, digital compression, Weiss original limiter algorithms as well as new ones, and more.My impression of the Weiss DS1-MK3 is that it’s relatively transparent, but it can also add some serious punch to your mixes, breathe life into your tracks, and add some glittery high-end shimmer. The video below should give you a good idea.Learn more: Plugin BoutiqueDynOne by Leapwing AudioLeapwing Audio’s DynOne is an award-winning dynamic processor. Grammy-winning mastering engineer Bob Ludwig liked that it did dynamic compression differently, mastering engineer Seth Drake said DynOne got him to 80% of his default mastering chain using only the faders in 10 minutes, and Grammy-nominated producer and mix engineer Greg Wells said it was “love at first listen.”This smart parallel multi-band dynamics processor comes with a resizable retina design, variable crossover filters, weighting algorithm, Center-Side Mode, min-max values for attack and release, and variable timing values.Overall, you get five bands with custom linear-phase crossover filters, variable RMS vs peak detection, and stereo linking percentages.DynOne may be simple, but it is more than competent. It can add some serious punch to your mixes while giving them the shimmer they need to be on par with commercial releases.Also check out the video below to see what DynOne can do.Learn more: Plugin BoutiqueOxford Limiter V3 by SonnoxSonnox is well-known for their Oxford series of plugins and their Oxford Limiter V3 might be just what you need to increase the loudness of your mix, give it more density, and add some much-needed presence while keeping the clarity and detail you’ve worked hard to preserve.This true peak limiter offers precise processing and metering accuracy to ensure the result is exactly what you want. You can even correct invisible reconstruction overloads.With advanced look-ahead and Enhance function to Based on a 1:1 code port of the minimum phase algorithm of Weiss EQ1 the new Softube Weiss EQ MP is a surgically-precise, ultra-transparent, high-fidelity EQ workhorse which is optimized for big mix sessions due to its low latency and a light CPU load.Surgically precise, ultra-transparent, and high fidelityDeveloped in collaboration with Weiss EngineeringFeaturing the minimum phase algorithm and dual seven-band setup of Weiss EQ1Low latency (17 samples in 44.1 kHz) and low CPU loadDouble-precision 64-bit, low noise processing with internal oversamplingNew Dark Mode GUI featureEasy to use, with no learning curveDeveloped through the partnership between Softube and Weiss Engineering, the Weiss EQ MP is an equalizer built on the minimum phase algorithm of the respected Weiss EQ1.Why Weiss?"After using the EQ MP, I am amazed by the transparency and clarity. I find it most useful on the final mix bus, but because of its low latency (for a minimum phase EQ) it can be very useful on individual tracks. Softube nailed it with this one!"Mick GuzauskiThe Weiss EQ1 is popular with mastering engineers the world over. Weiss EQ MP is based on the minimum phase algorithm of Weiss EQ1 and boasts some of the same features. Both can do it all, but the EQ MP is designed for mixing, with lower latency and CPU hit.As with the mastering focused Weiss EQ1, the Weiss EQ MP features double-precision, 64-bit processing with internal oversampling using Weiss low-noise filter algorithms. It has the same seven full-range EQ bands with -39 to +18 dB cut/boost range with their incredible Q- range of 0.2 - 650.Dark Mode And Scalable UIWith the introduction of Weiss EQ MP, Softube have added “Dunkel” or Dark Mode. Ideal for use in dark DAW UIs like Logic Studio One or the new Pro Tools Dark mode, you won’t be dazzled every time you open EQ MP. Change the size of the plug-in window. EQ MP has the same user interface as the Weiss EQ1 in Large Screen mode with a resizable window, allowing you to display only what you need to see.EQ MP uses the minimum phase algorithm of EQ1 and features the same dual seven-band setup with the expanded parameter set (continuous unstepped frequency parameters and expanded filter slopes). The Weiss EQ MP features double-precision 64-bit processing with internal oversampling using Weiss low-noise filter algorithms. It has the same seven full-range EQ bands with -39 to +18 dB cut/boost range with their large Q- range of 0.2 - 650. Weiss EQ MP sports linked/unlinked L & R channels, as well as M/S processing. And, unique to the Weiss EQ MP is the increased number of filter slopes it boasts. EQ MP has the 0 dB, 6 dB, and

Buy Weiss MM-1 - Mastering

Released October 18, 2024 Produced by Andrew Weiss & Pete Donnelly*Except Tracks 3, 7, 8, 10 Produced by Scott Hirsch & Daniel WrightMixed by Pete Donnelly and Scott HirschMastered by Will BorzaAlbum Art by Kelsey Ayres and Benjamin LieberAll songs written by Andrew Weiss except:Track 3 by Andrew Weiss/Scott Hirsch/Daniel Wright/Erin SidneyTracks 8 & 10 by Andrew Weiss/Scott Hirsch/Daniel WrightAndrew Weiss- lead and backing vocals (1-14), acoustic guitars (1, 2, 3, 4, 5, 6, 7, 8, 11, 12, 13), electric guitars (2, 3, 4, 5, 7, 9, 10, 11, 12, 14), percussion (1, 2, 3, 4, 5, 6, 7, 9, 11, 12, 14), piano (1, 2, 6, 7, 8, 13), synthesizer (4, 5, 11, 12), organ (1, 4), electric piano (1, 3, 9, 10), mellotron (1, 3, 8, 10, 12), drums (7), bass (7), drum machine (9), toy piano (9)Pete Donnelly- bass (1, 2, 4, 5, 6, 9, 11, 12, 13, 14), percussion (1, 9), backing vocals (4, 5), synthesizer (1), radio (1)Matt Beck- electric guitars (1, 4, 5, 6, 9, 11, 12, 13, 14), lap steel guitar (2), organ (5), piano (11), electric piano (11)John Venezia- drums (1, 2, 4, 5, 6, 9, 11, 12, 13, 14)Jesse Kessler- organ (2, 6, 12, 14), synthesizer (2, 4, 12), piano (4, 9, 12), electric piano (4, 14)Scott Hirsch- bass (3, 8), acoustic guitar (7), lap steel guitar (7), backing vocals (7), electric guitar (10)Daniel Wright- backing vocals (3, 7, 10), harmonica (7, 8), acoustic guitar (3, 7), mellotron (3), electric guitar (7), bass (10)Erin Sidney- drums (3, 8, 10)Jesse Siebenberg- pedal steel guitar (8)Sara Barsky-Weiss- backing vocals (8)Kevin Kuh- violin (13)Theo Payen- violin (13)Anna Stromer- viola (13)Tiger Darrow- cello (13)

WEISS MM-1 ของดีที่ไว้ใจได้ - YouTube

By folkfreak ➡️ I have the same problem.It's the input of the weiss gambit strip (the filters)I had a lengthy mail exchange with softube about it.One workaround is to remove the gambit input ssx file. That way you can load your old projects but have to load another input section in the console one plugin. Wow that sux to hear. IN my case I am running only the Weiss Gambit EQ in Console 1 in an SSL 4000 overall channel...so the Weiss EQ is broken too in the latest version... If I could install older Weiss plugins that would fix it for me, as all this was working up until yesterday. Weiss gambit is my main EQ on all my projects, not workable to replace it with SSL. Hope Softube get back to me, no reply besides the automated one so far... Here for the gear Joined: Nov 2016 Posts: 17 🎧 5 years yeah me too...I tracked the issue down and uninstalled Weiss and the problem disappeared. Following. Lives for gear Joined: Mar 2014 🎧 10 years Quote: Originally Posted by Prahlad ➡️ Wow that sux to hear. IN my case I am running only the Weiss Gambit EQ in Console 1 in an SSL 4000 overall channel...so the Weiss EQ is broken too in the latest version... If I could install older Weiss plugins that would fix it for me, as all this was working up until yesterday. Weiss gambit is my main EQ on all my projects, not workable to replace it with SSL. Hope Softube get back to me, no reply besides the automated one so far... It seems that my pm's don't get sent.... Quote: Originally Posted by folkfreak ➡️ It seems that my pm's don't get sent.... Got your PM thank you! Anyone have the older OSX installers they could share? Thank you Softube support reached out to me and kindly sent a list with all the V 2.5.85 OSX installers. If anyone is stuck hit me up on PM and I am happy to share. Lives for gear Joined: Dec 2003 Posts: 2,786. Did you see this last time? - Weiss MM-1, Weiss MM-1 plugin, buy Weiss MM-1, download Weiss MM-1. buy buyweissmm1 download downloadweissmm1trial WEISS Softube หัดใช้ทำความรู้จัก WEISS MM-1 ของดีที่ไว้ใจได้weiss mm-1 ปลั๊กอินที่ผมใช้ใน

Softube Weiss MM-1 - Audiofanzine

Steffen ➡️ I thought I might set dither to 24bit to cut it down to 24bits which results in bad crackling. So you can not drive it into clipping at them moment without destroying the audio. I testet within Reaper...maybe someone else can test it in a diffrent DAW.The Auto Gain Makup does not seem to work...at least not in the way it works in on the hardware. Bitter is a free plugin, and will show you the 64-bit data stream if your host supports it (reaper does). Sounds like this unit drops back down to 32-bit, will have to test this out later Lives for gear Joined: Nov 2016 Posts: 567 🎧 5 years Just installed, not resizeable and definitely getting tiny at higher resolutions. Especially the buttons and entire left-hand display. The MM-1 limiter UI on the other hand is better, if a bit underwhelming. Number readouts are still pretty small actually."More visualization" is not always the answer for loudness tools, but more advanced and detailed metering would be welcome.Peak over RMS bars with hold is nice at least.Perhaps if enough people hammer them with UI feature requests something may happen.I don't believe Softube have ever had user resizeable UIs but it must be on their development radar by now.I think the Weiss algorithms with a more modern UX refresh would rock. Custom Audio Germany Joined: Dec 2002 🎧 20 years Quote: Originally Posted by loji ➡️ Did you set it to teh DS1 original limiter? (I think the new software specific type-1) is selected by default .. that might change the output clipping soundBitter is a free plugin, and will show you the 64-bit data stream if your host supports it (reaper does). Sounds like this unit drops back down to 32-bit, will have to test this out later Safety limiter off...almost never use it Gear Addict Joined: Oct 2014 🎧 10 years For shure it looks interessting, but 500 USD or Euro is pretty expensive. Is there someone using Elysia Alpha compressor from PA and want to test the Weiss in comparison ? Also here, the hardware unit costs a lot, around 10.000 USD. I had some fun with the Alpha at Xmas, which I used as a trial, and will probably buy it in the future. Lives for gear Joined: Jun 2008 🎧 15 years Seems like the bypass built into the plug is acting funny to me .. I got this bypassing (the green button) a 16-bit file : (attached) ... looks like the bypass isn't bit-transparent on the plug-in GUI, bypassing in Reaper worked as expected. ..Specifically : The Make-up Gain, and the Threshold control are altering the bit-stream (between 16-24bits) even when