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1924 Radio Stations from Greece Classic Hits Classic Rock Greek Pop RnB Thessaloniki, Greece Folk Greek Xanthi, Greece Blues Music RnB Rock Soul Athens, Greece Folk Greek Information Heraklion, Greece Classical Instrumental Athens, Greece 60 Listens Thessaloniki, Greece 60 Listens Folk Greek Hits Top 40 Athens, Greece 60 Listens Music World Athens, Greece 60 Listens Dance Deep House Electronic House Krestena, Greece 60 Listens Folk Greek Hits Pop Thessaloniki, Greece Athens, Greece 60 Listens News Public Mytilene, Greece 30 Listens Blues Jazz Rock Larissa, Greece 30 Listens Athens, Greece 30 Listens Celtic Classical Instrumental Athens, Greece 30 Listens Comedy Sports Athens, Greece General Pop Swing Jazz Krestena, Greece 30 Listens Greek Music Pop Pyrgos, Greece 30 Listens Adult Contemporary Pop RnB Rock Top 40 Athens, Greece 30 Listens Chillout Vocal Athens, Greece 30 Listens Culture Entertainment Live Shows Music Nea Moudania, Greece 30 Listens Ethnic Greek Pop Athens, Greece 30 Listens Athens, Greece 30 Listens Adult Contemporary Pop RnB Rock Top 40 Athens, Greece 30 Listens Next » Greece Radio Stations on your iPhone, iPad, iPod Touch, Android, Blackberry, and other app-enabled mobile phones. Get in touch via the Contact Us below if you're interested in these apps. Also, find the top new songs, playlists, and music on our website!

The GOA DCS (Digital Chant Stand) app for iPhone and iPad gives you access to a growing library of free online Orthodox Christian liturgical texts and music. It brings together available texts, musical scores and audio recordings of hymns and entire services, to facilitate learning, preparation, and performance in church. All content and functionality is available at no cost.You will need to be online to download the DCS materials.AGES DCS is the evolution of eMatins, previously produced and offered by Fr. Seraphim Dedes. You can print PDF booklets of services as well as individual scores directly from your iPad.This public version of AGES DCS is offered for free and as is. The translations, rubrics, Greek and English texts are for the purposes of worship only and are subject to change without notice and should not be construed as a commitment by the authors, translators, developers, and personnel associated with their publication. Every effort has been made to make the materials as complete and as accurate as possible, but no warranty of fitness is implied.For information about other versions of AGES DCS and the inclusion of different texts and music, contact AGES Initiatives.AGES Initiatives envisions all Orthodox Christian churches having the texts, music and trained singers needed to maintain the fullest possible liturgical life. What’s New Fixed "jittering" that could occur when trying to scroll to the very end of a service. App Privacy The developer, Greek Orthodox Archdiocese of America, indicated that the app’s privacy practices may include handling of data as described below. For more information, see the developer’s privacy policy. Data Not Collected The developer does not collect any data from this app. Privacy practices may vary based on, for example, the features you use or your age. Learn More Information Provider Greek Orthodox Archdiocese of America Inc

Polyphonic style and bring music closer to a purer form. Towards this aim, they turned to Ancient Greek theater. Members of the Florentine Camerata: Vincenzo Galilei, Count Bardi, Giulio Caccini The Florentine Camerata drew their inspiration from two related threads of thinking. First, many of the members considered themselves humanists. Humanism was a philosophical approach that centered on the individual. They believed in the inherent goodness of human beings, and they felt humans could be transformed through poetry, literature, and rhetoric. They were optimistic about humanity's potential and celebrated the free will of humankind. The humanists believed that the means of moral improvement could be found amongst the now widely rediscovered Classical Greek texts. The members of the Camerata held the belief that music could only be improved by returning to the manner of the Greeks. This led them to the second and more direct influence on their thought. Girolamo Mei had a reputation among his contemporaries as an expert on the Greek language and ancient musical forms. Mei, though not a member of the Camerata, corresponded with Vincenzo Galilei for many years. The two men shared thoughts on ancient instruments and music. Mei argued that polyphony did not exist in the ancient world. He felt that emotions were most heightened through the use of what is now referred to as monody. He believed that the Greek theater utilized single vocal lines along with a simple instrumental accompaniment. Blending humanist tradition and Mei's scholarship, the Camerata sought to improve music by making it more akin to their idea of Greek tragedy. Their experimentation led them to develop a new style called "recitativo," "recitatar cantando," or recitative. In this style, only one voice is used to make the text clear and understandable to the listener. Words were sung naturally as if one was reciting the text. The melody followed the intonations and accents of the spoken word, and the rhythm followed that of poetry where notes corresponded to unstressed or stressed syllables. All this was done to evoke greater emotion in the listener of the piece. During this time, it was common for the Italian nobility to host special events and celebrations. As part of these, plays often were performed. Intermedio or intermezzi were the intervals between acts of a stage performance. These musical or dance interludes had pastoral or mythological themes to them. It is here that one finds the

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