Bcc video downloader

Displacement Map with BCC TurbulenceNow, let's get into this tutorial. BCC Turbulence is included with your Continuum license, so you don't need to download anything else if you already have one. If you don't have an active license, you can download the Continuum Free Trial, which is fully featured with a watermark.You can use BCC Turbulence and any Continuum effect on an image or video. It is compatible with the most popular video editing software, including Adobe products, DaVinci Resolve, Final Cut Pro, and VEGAS Pro.For this specific tutorial, we'll be using Adobe Premiere Pro, but keep in mind you can use Continuum's effects, presets, and transitions in any software you're familiar with, as long as it's on the list of compatible programs. Step 1: Set Up Your Project Open your favorite video editing software and create a new project. Import an image or video clip you want to add distortion with BCC Turbulence and set up your timeline and layers that you might need. In big projects, ensure you identify which layer has the clip or images to apply BCC Turbulence. Step 2: Apply BCC Turbulence Select the layer with the image and search BCC Turbulence in your effects library. You will find it there if you scroll under the BCC Warp category. Just click and drag it to the image layer to apply the filter. You will instantly see the effect's default settings in action, but don't worry if you don't like what you see; this is just the beginning. Step 3: BCC Turbulence Presets BCC Turbulence comes with over 30 presets that are pre-installed and ready to use. You will find some useful static and animated presets for images that need effects such as melting glass, heat, clouds, waves, etc. To access the presets, click on the FX Browser button at the top of the BCC Turbulence settings. Select a preset and preview it. You can adjust it if it doesn't suit your needs. Choose one as a starting point or return to your host to create the displacement map and turbulence effect from scratch. Step 4: Create the Displacement Map The BCC Turbulence has several settings to adjust. Start with creating the displacement map. First, check View Texture to make the textured surface generated by default visible. It uses the same algorithms as the BCC Noise Map 2 filter, so it will look familiar if you've

180+ comprehensive filters for Avid's high-resolution conform, compositing and graphics solutionMarlborough MA – October 25, 2010 – Boris FX, the leading developer of integrated effects technology for video and film, today announced that Boris Continuum Complete 7 AVX for Avid DS (BCC 7 AVX for DS) is now available. BCC 7 AVX for DS brings over 180 filters to Avid DS. New features include a video noise reduction tool, a new OpenGL particle engine, new on-screen overlay control widgets for streamlined workflow, and support for Boris AAF Transfer.“BCC AVX for Avid DS allows Avid DS users to conform offline and online Avid Media Composer and Symphony sequences with AVX 2.0-based BCC effects,” commented Boris Yamnitsky, president and founder, Boris FX. “In addition, Apple Final Cut Pro sequences with BCC effects can now be transferred to Avid DS using the new Boris AAF Transfer plug-in for Final Cut Pro.”

”Until we had Boris Continuum Complete AVX for Avid DS, the onlines were becoming more and more difficult to achieve,” commented Tony Quinsee-Jover, owner, HD Heaven. “With BCC AVX for DS, all offline BCC effects are contained within the AFE and conform completely with all animated parameters correctly set. This is an enormous boon for us. Now, we couldn’t imagine conforming and onlining a show without our armory of BCC effects at hand. It means that we can spend more time grading and perfecting other aspects of the show instead of wasting time recreating effects that have already been determined.”

Boris Continuum Complete 7

Replaced by BCC Noise ReductionWe recommend use of BCC Noise Reduction instead of the older BCC Denoise. The newer BCC Noise Reduction filter contains more advanced grain suppression techniques.OverviewThe BCC DeNoise filter removes unwanted pixel noise from an image. DeNoise is especially useful when working with archival materials, as it lets you correct dark areas that show artifacts from film emulsion or video compression. You may also want to use the BCC DeNoise filter when resizing 4:3 images to 16:9 aspect ratio.FunctionPresets and Common ControlsBCC filters come with a library of factory installed presets plus the ability to create your own custom presets and preview them with the BCC FX Browser™.BCC filters also include common controls that configure global effect preferences and other host-specific effect settings.For more information about working with presets and other common controls, Click Here.**Compare Mode:**The BCC Compare Mode provides a convenient mechanism to compare the effect result with the original source layer. It provides several variations on basic split-screen views with the filtered clip placed next to the unedited original.For more information on the Compare Mode,Click Here.The BCC DeNoise filter distinguishes between moving areas and areas that are static. This allows the filter to selectively remove noise only from static areas. This preserves the full detail of areas that are in motion.DeNoise uses temporal and spacial smoothing to eliminate the artifacts, based on alternate frames in the video. Since the smoothing algorithm is based on a sequence of frames, it is difficult to show the effects of this filter in a still image.The PixelChooser is especially useful for this filter. If the DeNoise filter removes too much detail, you can selectively remove noise from a specific channel or area of your image.Value Range determines how much noise is removed from the image. Higher values remove more detail from the image.Mix with Original blends the source and filtered images. Use this parameter to animate the effect from the unfiltered to the filtered image without adjusting other settings, or to reduce the affect of the filter by mixing it with the source image. At a value of 0,

AVX for Avid DS New Feature HighlightsNew Filters:• BCC Noise Reduction smooths out video noise using spatial and temporal information derived from the video clip – especially in dark areas of an image.• BCC Particle Array 3D creates a grid of particles oriented in 3D space.• BCC Pin Art 3D creates a pin board look based on a layer image.• BCC Lens Blur emulates a popular lens blur or rack defocus effect where out-of-focus highlights of an image clip take on the shape of the lens shutter. The filter includes a gradient map layer to control the depth of focus.• BCC Lens Shape is a designer effect similar to a rack defocus effect where the shape of the bokeh can be imported from an external layer.• BCC Lens Transition is a wipe filter that applies a lens blur or rack defocus effect to the specular highlights of outgoing and incoming image clips.• Compare Mode. Added to over one-third of BCC 7 AVX for DS filters, Compare Mode is a convenient tool that enables users to compare the filtered result with the unfiltered source via either a side-by-side view or a live split-screen view. In the side-by-side view, users can view the unfiltered and filtered image result in the preview window as changes are made to the image. In the split-screen view, users can drag the wipe bar anywhere across the image to compare the filtered result with the unfiltered source at any zoom level. Additionally, the Compare Mode feature includes

Boris FX has released Boris Continuum Complete 10 for After Effects and Premiere Pro: a major new update to its collection of effects plugins, following its release for Avid Media Composer last October.(Spoiler: it actually came out last month, but we missed it in the Christmas rush.)The update reflects Boris FX’s recent acquisition by Imagineer Systems, in the shape of the integration of Imagineer’s mocha planar tracking engine inside BCC’s PixelChooser masking and keying tools.It also adds new skin retouching, titling and image-restoration tools, plus new filters and transitions.Integrated mocha planar tracking in all the BCC toolsThe biggest collection-wide change in Boris Continuum Complete 10 is the integration of mocha into BCC PixelChooser, the set of masking and keying tools built into every BCC plugin.Boris FX says that while mocha integration is intended to simplify routine tasks like blurring faces or isolating filters, the system is capable of full-blown rotoscoping work.Other suggested uses include tracking lens flares, corner pins, titles and graphics to footage.New skin retouching, titling and image restoration toolsThe update also adds a range of new tools to the collection, including BCC Beauty Studio (above), a skin-retouching tool designed for the digital makeup work often required when working with HD or 4K footage.It uses a “state-of-the-art keying algorithm” to isolate skin tones automatically, making it easier to remove skin blemishes without sacrificing sharpness or contrast in other parts of the image.The update also adds BCC Title Studio, a new OpenGL-accelerated titling tool, intended for creating 2D or 3D titles, lower thirds and credit sequences, and capable of importing models from Cinema 4D.BCC’s image-restoration toolset gets three new filters.BCC Remover auto-fills missing pixels and clones out unwanted objects, BCC Dropout Fixer restores dropouts in tape-based footage, while BCC Reframe reformats cellphone footage into 16:9 format for broadcast.There are also two self-descriptive new filters, BCC Light Leaks and BCC Video Glitch, and four transitions: BCC Cross Glitch, BCC Cross Melt, BCC Light Leaks Dissolve and BCC Cross Zoom.Pricing and availabilityBCC 10 is available for After Effects and Premiere Pro CS5.5 and above, along with a range of Avid tools. The FCP X, Motion, DaVinci Resolve, Vegas Pro and Scratch editions have not yet been updated.New licences cost $995 for Adobe tools, $1,695 for Avid tools, and $1,995 for a cross-platform licence.Read more about the new features in Boris Continuum Complete 10